editorial

Shed Photography Studio Tips, Ideas and Examples

Sean Lewis

Low Budget or No Budget, it doesn't matter. In this video from Irene Rudnyk, she walks you through how to create a high quality fashion editorial in an incredibly small space using just natural light!

Photographical Groupthink James Popsys SLR Lounge

“Where Good Photos Go Bad – James Popsys’ Video Breaks Down “Photographical Groupthink”

Alice Houstons

James Popsys has a theory about how "Good Photos Go Bad" and it has to do with Instagram, social media, and a thing called "Photographical Groupthink."

Shooting My First Fashion Editorial | Gear, Location, Lead-Up, & Lessons Learned

Brittany Smith

Validation. We all seek it. For some it is that first gallery showing, an artist spotlight or a feature. For ...

Simple Window Light Portraits | How I Shot It

Brittany Smith

There is something incredible about being able to play with lights and shoot in a studio environment. With access to ...

Photography Tips | One Thing I Wish I Knew When I Started Photography: Clay Cook

Hanssie

Commercial and editorial photographer Clay Cook shares with us the one thing he wish he knew when he started photography.

Mario Testino BTS | Shooting The Entire 100th Vogue China Issue

Kishore Sawh

Mario Testino shoots the entire Vogue China 100th issue, with great insights into what a photographer at this level does from concept development to execution and editing.

Getting The Commercial Editorial Smooth Hair Look Is Easier Than You Think

Kishore Sawh

We take you through step by step, a highly useful method of smoothing coarse, or unruly hair, and showing you should you can achieve it quickly, and with a commercial look.

How We Shot it – Environmental Portrait with Singer-Songwriter Sabrina

fotosiamo

This environmental portrait is part of an editorial assignment that I had for Sabrina Claudio, an up-and-coming young singer-songwriter from Florida. In an environmental portrait, the surrounding tells just as much of the visual story as the subject. The client also wanted the lighting to look natural, so the trick here is to add just enough ambient lighting to balance out the three Einstein monolight strobes that I used to light this image.